The Universe of Things

The stories in The Universe of Things span Jones’s career, from "The Eastern Succession," first published in 1988, to the just-published "Collision."  Each opens a window into a richly depicted culture in which intelligent, resourceful characters struggle to make sense of the mysteries of their world.

In the introduction by Steven Shaviro, author of Doom Patrols and Connected, or What It Means to Live in the Network Society, Shaviro notes, "As a feminist writer, Jones refuses to accept compromises that leave gender inequities in place—and recognizes how they may well have staved off something worse. And as a science fiction writer, Jones shows deep awareness of how provisional, and fragile, all our acceptances and reconciliations can be, for there are always new potentials, new cultural or technological disruptions in the offing. Jones envisions a future that is different enough from the present that we are forced to recognize the contingency—and changeability—of the things we take most for granted."

Starred Review. "Clarke Award-winner Jones creates several wondrous universes in which reality and fantasy bleed into each other. A sword-and-sorcery virtual world masquerades as therapy (‘Red Sonja and Lessingham in Dreamland’). A self-harming princess and office worker makes a real marriage out of an evil spell (‘The Thief, the Princess, and the Cartesian Circle’). Jones takes classic fairy tales like Cinderella (‘La Cenerentola’) or genre tropes such as the haunted house (‘Grandmother’s Footsteps’) and reveals that the wonder and the horror lie not in glass slippers or creaking staircases but in the relationships revealed when ‘dreams come true.’ Jones’s sharp writing forces the reader to reconsider the standard building blocks of SF in light of real human history, sociology, and radical analyses of power structures. As engineer-journalist Johnny Guglioli observes in ‘Blue Clay Blues,’ The technology is helplessto save the world. It’s what goes on between people that fucks things up."
   — Publishers Weekly, Nov 9, 2010

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